Sunday, July 13, 2025

The Artist's Way

Walking in the intense heat of Tuscan midsummer, it was in my best interest to find a route to stay in the shade on my twice weekly walk to the pool. After some time walking directly in the full sun, I decided to take the slightly longer route, which led through the cool dappled shade of the majestic Linden and Plane trees that line the main road. I also enjoy the tall, stately, late 19th to early 20th century Liberty villas, with their contrasting trim and often decorative eave tiling, or, the more modern homes in between, all equally well maintained, surrounded by tall bay or laurel hedges, and elegant wrought iron gates.


After a few minutes walk I turn left onto Via Umberto Vittorini, (1890-1979), passing the ancestral home of the contemporary sculptor and his sister, the expert weaver, Luigi and Maria Teresa Paolini. At the end of the street I turn right onto Via Adolfo Balduini, (1881-1957), and along the shaded park. One block further down I sometimes take Via Bruno Cordati (1890-1979) and finally, onto Via Giacomo Puccini.


These three early 20th Century artists connected to Barga, in addition to Alberto Magri, (1880-1939) whose eponymous via is farther up the road, are currently featured in a wonderful exhibition entitled Enchanted Barga, —Visions of the Soul’s Landscape, at the Stanze della Memoria Museum in the historic center, sponsored by the city of Barga with the expert curation of Cristiana Ricci, president of Fondazione Ricci, ETS, the important cultural entity focusing on the Arts, Music and History of Barga.  The exhibition will be on view from 11 July to 14 September 2025. See also: barganews.com for the article of the exhibition.


Arriving at my destination, I slip into the cool clear water to contemplate the enchanting passage through Le Vie degli Artisti, the Artists’ Ways.  

Monday, October 7, 2024

A Room With a View

 



The variety of the winding Tuscan coastline along the Ligurian sea ranges from the sandy beaches of the northern area known as Versilia through pebbly and rocky beaches at Marina di Pisa, and actual rock cliffs at Livorno and Castiglioncello, to the bright white soft sandy beaches at Rossignano Solvay, to long dark sandy beaches from San Vincenzo to Grossetto, and below Piombino and the Island of Elba, where it changes to the Tirrenian sea, past the peninsula of Orbetello, Porto Ercole and the archipelago Toscano.


A few hour’s train ride from home, past Livorno where the view suddenly opens to vast vistas of rugged coast and sea, a few stops later is the small seaside town of San Vincenzo, a long sandy beach my objective. A pleasant, well kept town, the architecture of which ranges from early 20th century Liberty style to contemporary, painted predominantly in warm hues of yellows and orange, and white. A well maintained main street with a dedicated bike lane, shops, restaurants, cafes, and gelaterie, past a surprising heart warming dark red bougainvillea as I hadn’t seen in years, brought me to the hotel, which was modern, colorful and clean, with a tropical feel, surrounded by the sounds and scent of the sea. 


The room had a small balcony and an oblique view of the sea. I checked in at mid-afternoon on a warm day and immediately went for a long walk barefoot on the sandy shoreline with the waves washing over my feet, and the delightful sea and breeze muffled sounds of happy children, conversation, and seagulls. 


My first objective wonderfully gratified, I stopped at the bar, on the terrace in front of the hotel with its unobstructed view, for a glass of classic crisp Tuscan Vermentino and stuzzichini of squares of focaccia with thin slices of prosciuto crudo or cheese, and olives and stared at the horizon and imagined, were the earth flat, I would be looking at the New England coastline of my childhood.


After that sufficient light supper, I walked into town to a gelateria signed artisanal for two rich, but not too sweet, generous scoops of ice cream. 


On the way back to the hotel the sun set in a cloud striated red sky.  The spectacular scene a perfect end to a first getaway evening in mid September after a long hot summer. With an Irish whiskey nightcap from the pleasant receptionist, I returned to the room.


I realized then that the visible hotel sign at night, while neither neon nor flashing, was just too bright, and that convinced me to change rooms in the morning, which I did with uncompromising ease and simplicity. They even offered to transfer my things themselves. 


After a simple breakfast I slipped on my swimsuit and pareu and walked along the shore to an area free of canvas loungers and umbrellas, left the pareu on the sand and went for a long- anticipated swim. The sea was calm and the water temperature like sliding into cool silk. I passed the better part of an hour in the water and spent a few minutes longer on the beach. 


Back in the hotel, showered and refreshed, I then headed to another restaurant for a seafood pasta lunch, with a terrace over the sea where I watched a few boats on the horizon and, nearer to shore, an experienced swimmer smoothly swimming in a perfectly straight line parallel to the shoreline. 


After lunch another long walk on the beach, some reading with just the sound of the sea in the background and eventually a repeat of the light apericena supper followed by a different flavor, but equally delicious, gelato of the night before. 


On my way back to the hotel the sky had clouded over. The weather was about to change. On the street in front of the hotel there was an ambulance, lights flashing. A crowd had gathered at the parapet overlooking the beach and there were medical personnel on the beach below. 


Someone had fallen ill, the receptionist compassionately answered my query. A whiskey nightcap in hand, I went up to the room to read. 


The room itself had been recently renovated, modern, light and clean. Crisp white sheets on the bed and touches of texture in the bedspread and a wall of a muted shade of intense blue lent warmth to what might otherwise have been a stark interior. 


I stepped out onto the balcony to find the onlookers at the sidewall and EMTs still below. They were vigorously performing CPR on a fairly large patient lain on the sand parallel with the sea. A medevac  helicopter arrived stirring up the sand and causing the personnel to cover their heads and faces. Two EMTs were lowered with their medical case. The helicopter hovered just far enough away not to disturb the proceedings, but was audibly notable. Time lapsed. They worked on the unfortunate for quite some time. There was communication. The helicopter returned, the medevac EMTs, with their medical bag between them, embraced, hooked the line on, were hoisted up and, swaying, lifted away. There was nothing to be done. 


The medical personnel gathered their equipment, covered the body with a heavy white sheet, and moved it higher on the beach perpendicular to the shoreline and left, leaving other official personnel to wait for the coroner. In all of this time there seemed to be no one connected to the person, in attendance.


The deceased lay alone, except perhaps in my thoughts, under the darkening sky. The crowd had mostly disbursed. Occasionally an official would go down to the area but no one else did. It took a long time but the coroner arrived and the body was removed..


The weather had taken a turn for the worse. Lightening struck at sea, thunder rolled continuously and the waves swelled, crashing angrily.


The bed was firm and warm, the white sheets fragrant, and I spent a disturbed night, but woke to fresh air, a strong breeze and still choppy sea. 


As I rode home I wondered if it had been someone of renown, someone in the Arts, Letters or Music, for whom the world would be informed of a death in San Vincenzo, or a solitary traveler in a room with a view, having enjoyed intensely a few days at the seaside, like myself.










Thursday, April 11, 2024

Tell Me a Story


Every picture tells a story, a picture is worth a thousand words, show, don’t tell, how ever you put it, since there have been walls, from time immemorial, people have painted on them.
The years long project ATTITUDE, conceived and realized by Gian Guido Grassi, and funded by generous grants from the Region of Tuscany, has grown from its inception in the exhibition “ATTITUDE / Graffiti Writing, Street Art, Neo Muralism” at Palazzo Blu in 2021 in Pisa, through the Mid-Serchio River Valley, and The Garfagnana, and now to the Galleria Comunale di Barga where 13 of the over 50 artists of stART ATTITUDE are represented in an exhibition, entitled Storytelling, of screen prints commissioned in conjunction with its statement of purpose, promotion of Street Art, Graffiti Writing and Neo Muralism.
There is also now a fascinating tour on an itinerary through six sites in various villages of the Garfagnana where four internationally recognized Urban Artists, and several university students, explore themes of local history, legends and lore in mural form.
In the northernmost village on the murals itinerary at VILLA COLLEMANDINA, an expansive image of the mountain ranges adorns the side of the town hall in homage to the Garfagnana, painted by students of the Accademia di belle arte di Firenze; the next stop in CASTIGLIONE, represents flora and fauna of the wilds of the Garfagnana by HITNES; on the front of the elementary school in PIEVE FOSCIANA, ZED1 has elaborated on the theme of the first tricolor flag made and flown in Italy in 1831; in the comune of Fosciandora, at LUPINAIA, BASTARDILLA suggests the kiss of the chestnuts nesting in their spiny hull; in CESERANA, ZED1 delights with its legend of saints, bees, and bare bottoms; at Riana, a toast to the wine festival by HITNES; and last, but by no means least, in GALLICANO, ERICAILCANE thrills us with a frog and adorable rodents on a wild ride in walnut shells, filled and spilling over with iconic local items, on the raging torrent.
With the available regional funding for Street Art/Urban Art/Art in Public places, The Mayor of Barga, Caterina Campani, had a different, but equally illustrious, take on the Street Art theme, entitled le Porte di Barga, with permanent posters mounted in iron, or wooden, standing frames by our own internationally known, local Art legends: the torrente Corsonna water mill image near Catagnana by KEANE; Architectural references by FABRIZIO DA PRATO on the mountain road to Tiglio; the Poet Pascoli image by SANDRA RIGALI at Castelvecchio Pascoli; in the center of Fornaci di Barga, TONY PHILLIPS, on the main road from the valley to Barga, NICK KRACZYNA; and at Ponte all’Ania, GIULIA NOEYES.

These widely diffused initiatives, in part conceived and realized by Gian Guido Grassi, the local participation by Mayor Caterina Campani, and cooperation by multiple other local municipal governments, with the generous contributions of the Region of Tuscany, tell the story in a feast for the eyes and food for thought on the walls, outside and in, in the wide open spectacularly beautiful mountainous northwestern corner of Tuscany. 

Thursday, December 21, 2023

A Moment in Time

This is an angry sky 

or the blush

of an afterglow

that will miss you 

very much 

but wishes you well 

at the return of the sun

the long dark nights

are over

Summer starts today

with the return of the light

mere minutes

at a time 

Thursday, October 26, 2023

On Insomnia

Today there are a multitude of recommendations for combatting insomnia.

Counting sheep was traditionally a suggested method for calming the mind to get to sleep. More recently it has been suggested to count something you know, something you’re familiar with in everyday life. 


I’m a clothing designer so that would be straight pins. So, I count them as if I were sorting them on the sewing table, one by one. I reach a certain point and then I find myself beginning to imagine sticking them into certain people I have known. 

Sweet solace as all hope for sleep is abandoned. 

Thursday, February 2, 2023

February


February can be

Brutal

Its only 

Attribute

Is length

Sunday, May 8, 2022

A Mother's Descent A father's Journal 1958

partially gone 


Bad fight 


Slightly Tight


BF


Very T.  


Appeared tight. BF. 


I made supper


Slightly T.  


I make supper


Slightly T.  


sleepy, tongue thick, more tense. no goodnight.  


Coakey bit K.


Called everything but smart. Very T.


  Slightly T.  One spat, short


Slightly T. One spat in bed.


slightly T.  


        She treats kids summarily. Sends to bed early. Falls asleep in chair after supper.


    Discontinued in hopes of improvement


learning to recognize more quickly her condition of inebriation. 


  taken to hiding bottles, usually pints of blend or vodka, in drawers full of clothes, on obscure shelves.  


        J. will tell me when she has been drinking - as if I had to be told!


sloppy, hair messy, poor posture, off balance, weaving, eyes glazed - stupid looking. 


                 Easily offended, quick to temper, lazy, doesn’t care what happens to the kids. 


she falls asleep without making supper,  the task falls to me. 


  This of course exasperates me no end.


  she is extremely short with children, often sending them to bed as much as three hours ahead of schedule.


clouted me across the back of the head -from behind - with a shoe


sloppiness, unsteadiness, sulky, thick tongue, glazed eyes. 


seated in front of LR chair drunkenly playing with children 


                  (she seldom plays with them except when drunk)


I told her she was drunk and should stay home. 


This clinched her decision to go. 


She came up from behind and kicked me sharply, I stood up, saw she had a knife in her hand.


I was a bit afraid she might try to use it


she left home last night at 9:40 pm, to pick up babysitter and got home at 10:10 with no baby sitter


she didn’t get the BMR because she was late and overworked (and hung over?)


      she sounded slightly tight. 


The fifth of whiskey which had been almost half full was gone.


displayed the usual characteristics of drinking: 


    emotional, extremely dramatic in speech and gestures, irresponsible attitude   


I left at 6:40, J. dressing, K. beginning supper. 


did not prepare supper for herself.


   definitely under the influence. 


Hair all awry, eyes red and puffy, generally sloppy. 


    Physical coordination clumsy, tongue thick. 


At 6:30 just feeding the baby. 


No beds made today. 


    Closed bedroom door leaving my bedclothes out implying she wanted me to use den. 


    I will try sleeping in bedroom. 


    No harsh words tonight




© Kerry Bell 2022



 

Friday, May 6, 2022

Mother's Day

The Blood

On the pillow

The Ink

On the wall 

Tuesday, April 26, 2022

Marching Toward Normality

Last Friday, the Barga Jazz Club opened with live music for only one of the few times it has been open in the last two years. We were treated to a resounding set of American spirituals and gospel music rendered joyful by Dimitri Grechi Espinoza on sax, and jubilant by PeeWee Durante on piano. 


The set included the traditional spiritual, Wade in the Water; Sister Rossetta Tharpe’s  gospel to jazz influenced, When They Ring that Golden Bell; and on through Billie Holiday’s God Bless the Child; Louis Armstrong and others. The spiritual aspect was in evidence with the presence of Dimitri who specializes in using space and reverberation in mesmerizing original compositions, both live, in sacred spaces in Livorno, with the title of Il Significato Spirituale del Suono, and on two discs “Angels Blows” and “The Spiritual Way” 


March: in like a lion, out like a lamb. As we move tentatively into the first seemingly normal Easter holiday and on to what hopefully promises to be a pleasant summer season, after all of the sacrifices we have made over the last two years, we can look forward to the comfort and joy of more great live music, celebrations and good company. 


Marching In


https://youtu.be/divcuPsGW7w 

Wednesday, March 23, 2022

Lost in Translation

In Italy for over 20 years I am often called on to translate, help with admin tasks and the like.

In some documents I do call on Google Translate, as it has improved noticeably from its early years, with reasonably accurate results, which I always review and tweak.  


Thankfully, especially right now, international diplomacy is rarely the subject matter, but it could have created, or resolved, a topical exchange when translating a numbered list of to-do items on a furniture and fixtures list:


18. Cabinet resolution


was translated as this:


18. Delibera di Giunta: Resolution of the Junta 

Monday, March 7, 2022

A Crimp in my Equanimity

In two days, on March 9th, two years ago we began a journey of nightmarish, surreal proportions, which most of us had never experienced and which has left us unmoored and adrift, and from which we, since you’re reading this, have come through alive, though not untouched or unmoved, only to be launched into that which can only be described at best as a humanitarian crisis of catastrophic proportions led by The Just One Bad Actor it takes, and defended by another Actor with some pretty good moves and courageous leadership dancing a pas de deux of death, destruction and desperation. 


This will take all of our reserves of resilience, patience, calm, tolerance, equanimity, strength of character, reason, rationality, compassion and empathy, most of which we have experienced here in this small Tuscan hill town for the last two years and can be an inspiration and example to all. 


Kerry Bell

Barga, Italy


Sunday, February 13, 2022

The Tiglio Road

 

The Tiglio Road


The winding road that leads to and from the small village of Tiglio, has been plied for at least 1000 years, by farmers, travelers, and pilgrims. According to church archives dating to 983 and 984, Tiglio was registered as part of the property of the Pieve of Loppia, which also included, Renaio and Pegnana. 


Its ancient church of S. Giusto, at the top of the mountain overlooking Barga and the Serchio River Valley, was originally a castle fortress. For more that 25 years in the early to mid 14th century, it was fought over in a tug of war between Barga and the Lucca families of Castruccio Castracani and Antelminelli, and finally in 1354, it was restored to Barga through the intervention of Florence, which marks the village’s strategic importance in the history of Barga.  A pair of elegant marble statues of The Annunciation behind the altar attest to its importance as a pilgrimage destination in the 14th Century.  


Today the Tiglio Road is well paved and rapidly driven by the farmers and families who live in the villages of Renaio, Pegnana, and Tiglio, and it is a through back road to Piastroso and Coreglia. It’s a lovely walking route exposing heartrendingly beautiful views over Barga and the western coastal range of the Apuan Alps. 


Tiglio may be named for the Linden tree. The road leading in and out of Barga, as all roads, from Largo Roma, is flanked with their stateliness. In June the miniature chandelier shaped blossoms perfume the air for miles with their intoxicating scent, and its lush broad heart-shaped leaves provide cool shade in the hottest of the summer months.






Tuesday, November 30, 2021

Thanksgiving 2021

I had had no plans but woke up early thinking, actually, I could throw together a reasonable facsimile of a turkey dinner. First stop my moment of cappuccino and brioche zen and then off to the store where I found almost all ingredients of what my one guest called tacchino decomposto, deconstructed turkey. A thigh, a breast, and apple/onion/sage/sausage garnish in lieu of stuffing, baby green beans and mashed potatoes. I even found cranberry sauce at the shop that has British imports. 


When I got home the jar of cranberry sauce went crashing to the floor and shattered. It could have been worse, I thought afterwards. That was not my first thought however, which was F**k! as I slammed the package of green beans on the floor too in a fit of pique and infantile rage. It really could have been worse, it could have been the Prosecco. 


I managed to compose myself, clean it up and get to work, all the while wondering when a major delivery to a friend’s house I needed to supervise, scheduled this morning, was going to happen, hoping it wouldn’t be in the middle of some cooking operation, or worse in the middle of sitting down to eat. Alas, I pulled it all off and the delivery never materialized so all was well. We had a lovely meal and I chased the mid-pandemic-far-from-home-Thanksgiving-day blues away on this cold foggy rainy day in late November.


I am thankful to all and for all.


Friday, September 24, 2021

A Walk

 

She was walking 

Along a narrow winding road 

In the mountains

 

A bird called 

And she looked up 

A falcon? A buzzard?  A hawk?


The car came careening 

Around the curve 

She landed on the windshield 


Spread eagle

Tuesday, August 17, 2021

Overcoming The Black Death, regarding Black history, fire and a tale of two villages. Five days in history.

 

The days from August 10th until the 15th are very significant in Italian history in general and Barga history in particular. 


In the previous post we explored Barga’s connections to the Festival of San Lorenzo, the martyred saint burned on a gridiron on August 10, 258, which is commemorated in part with a grand event honoring Giovanni Pascoli, the revered national Poet whose father was assassinated on August 10, 1867, and the Night of the Shooting Stars, the Perseids meteor shower first apparent around August 10 every year.


August 12 has been a day of remembrance since tragedy befell the village of Sant’Anna di Stazzema , when on August 12, 1944 about 530 civilians were killed along with their livestock, and their village burned, in one of the most tragic battles of World War II. Its connection with Barga is purely fictional and a concept that needs to be corrected. 


In more than one work of purportedly historical fiction, what is known as the Massacre at Sant’Anna, a true story, has been conflated with Barga’s own historical Battle of Garfagnana, at Sommocolonia, on December 26th, 1944. There is no real connection. Sant’Anna is a village in the Apuan Alps, Sommocolonia is a hilltop village in the Apennines, but in the most famous erroneous connection, the Spike Lee Film entitled Miracle at Sant’Anna, based on the novel by James McBride of the same title, Sant’Anna di Stazzema is mentioned as a nearby village and the stories of the battles are intertwined in causality.


The battle at Sommocolonia, above Barga, was a turning point in the war when the Lieutenant called friendly fire on his position as he knew they were lost in any case. The soldiers involved were African Americans of the 366th infantry regiment, part of the Buffalo division of the 92nd Infantry Division. Known as the Buffalo Soldiers they were Black GIs who sacrificed their lives and were only recognized decades later. Their story and the history of the battle have been thoroughly researched and eloquently recounted in the book entitled Braided in Fire, by the writer and long time Sommocolonia, Barga homeowner Solace Wales. 


Which brings us to The Black Death. The close of these five important days is August 15th, the Festival of San Rocco. The Festival itself is a three day vast market fair and in less pandemic fraught times included dining, music and dancing. 


San Rocco, to whom the 17th C. Chiesa Di San Rocco in Barga Giardino is dedicated, as are many throughout Europe, to this itinerant healer, Rocco, who traveled around 1350 to care for and heal plague ridden villagers until he himself caught the plague but miraculously survived. The definitive narrative as it relates to Barga, has been summed up expertly by Frank Viviano, in the article San Rocco, the Black Death and Barga, which can be found on barganews.com 


Having spent these last 5 days commemorating martyrs, saints, poets, wars, plagues, trials by fire, and having endured weeks of infernal heat finally in abatement, we can breathe a sigh of relief and hope our luck holds out. 

Tuesday, August 10, 2021

The Night of the Shooting Stars


We have spent a good part of the last year and a half in various degrees of lockdown and/or restricted movement within and beyond our communities, often indoors looking from the inside onto a quiet, sometimes silent and desolate outside, wishing this thing, albeit invisible, would go away, disappear. 


Days and weeks of calm quiet, and nights of eery silence. The usual bustle of the town, the genial greetings and conversations, muffled by masks and cautious inhibitions.  Often the only things to be seen and heard were the birds. Watching the swallows provided hours of delight. 


With compassionate, conscientious compliance Barga remained relatively untouched. We passed a first socially distanced but eventful summer almost virus free, but by the winter and spring the virus resurged and there was another lockdown, this time not as severe but disconcerting nonetheless. 


Vaccinations provided hope and the country mobilized in a relatively efficient roll-out. There was a little more hopeful optimism but always that wish that this would just go away. Variants and various factors have necessitated continued vigilance. Through spring there was still the element of inhibition, and being on the inside looking out. 


About a year and a half on, the late summer of 2021 finds us once again, relatively unrestricted, enjoying socially distanced events, but still cautious. 


Each year on August 10th, Barga celebrates the great poet Giovanni Pascoli, who adopted Barga as his home, and honored it in much of his poetry, with a grand event with the reading of his poetry, and music. 


The significance of the date is three fold. Pascoli’s father was assassinated in his carriage on August 10, 1867, an event which influenced much of his poetry. In 1896 he published the poem entitled 

‘X agosto’ to commemorate the date and emphasize his three principle themes, the nest/hearth, suffering and injustice. 


The second element of the date of August 10th is the commemorative date of the death of San Lorenzo, a venerated martyr, deemed saint who was purportedly burned on a specially cast gridiron on August 10, 258 during a purge by Roman authorities under edict by Emperor Valerian. He was known for his generosity and compassion for the poor, indigent, and physically suffering.


The feast day of San Lorenzo, August 10 is also known as the Night of the Shooting Stars.  The Perseids meteor shower is most visible from about the 9th to the 13th of August each year. Pascoli’s poem references it as the tears of San Lorenzo, weeping for a swallow who is killed in mid-flight to her nest, leaving her brood parent-less, just as he and his family were left in abject despair after his father’s assassination. 


Shooting stars have also often been associated with wish making. If you wish upon a star, as the song goes, has inspired hope in many a dreamer. 


Since the early 1990’s the Perseid meteor shower has been most visible from the 11th until the 13th of August, particularly in the just pre-dawn hours. So, yes, wish upon the shooting stars on the 10th, the official Night of the Shooting Stars, and as we transition from looking from the inside out we can still appreciate watching the fascinating swallows and the shooting stars, and have time until the 13th to make that wish. 








 

Sunday, July 4, 2021

Overcast

the bells were ringin

the swallows were goin nuts

out of the tub gone 

Sunday, April 18, 2021

Lockdown Observations

 


I have lived in Italy for 20 years. I am conversant but not fluent. To be fluent one must be able to pick up on the subtleties, the contextual complexities of a language, the deep linguistic associations which have much more to do with cultural assimilation than just grammatical correctness. 


I teach English to Italian corporate professionals. It has been one of the most delightful experiences of my life. When I arrived in Europe 27 years ago, though it was an option, I did not want to teach English, since English meant British English, and that was not an option for me, an American. As the years progressed there has developed more need for American english, as we all communicate cyber-globally. And, as I sometimes tease my British friends, there is more diversity in the English language amongst those in the British Isles, than there is between an American and a Brit. The current pandemic reality has rapidly changed the way we work and communicate on a daily basis and normalized online opportunities heretofore unnecessary.  


My Italian english students, as the general populace here, are astute listeners, and very articulate, which may be the result of their educational system which requires oral exams in every subject up to and including advanced mathematics. Imagine having to explain your trigonometric process in front of a panel of exigent professors, and you’ll know how they have had to develop communications skills. Articulate, astute listeners with compassionate sensibilities. In any conversation they respond with appropriate observations, sympathetic and compassionate pleasantries. 


Despite having studied French and German, I still have problems recognizing certain syntactical elements on the spot. My students often clarify grammatical issues with their knowledge of Latin. Oh, it’s totally clear now! One must be an astute listener, and observer, to pick up on the subtleties. 


It’s all in the syntax. There is a certain syntax, it all comes down to that. It is complex. In italian the pronoun is inherent in the verb. You don’t need the I, you, he/she/it, we, etc.,  it is included, which is exquisitely efficient and totally confusing. The subject-object-indirect object relationship is a complex puzzle. In the simplest example, the object precedes the subject, ti vedo: I see you. It’s what I call the subject-object conundrum, in other words, who’s doing what to whom. It could be a metaphor.

 



 

Sunday, April 4, 2021

Lockdown Redux: Next Year in Jerusalem

On this splendid Easter Sunday in Northern Tuscany I will spend the day in quiet contemplation as I look out on the Apuan Alps and down onto a small magnolia in full bloom in the stone piazza below. Due to pandemic restrictions my son is unable to travel home from University and like others I will pass Easter alone, or some, in only immediate family groups. 


I was raised on the east coast of the U.S., primarily in the northeast but also throughout the southeast. That we are a nation of immigrants is undeniable. The regions of the northeast and southeast of the first settlers, (Jamestown, VA. 1607, Plymouth, MA. 1620) are thriving areas of diversity. 


In the mid 20th century northeast my childhood friends and neighbors were a predominantly western/southern and central european multiethnic group and I often joke that the reason I ended up in Italy is that most of my grade school friends were Italian, citing names of Belletti, Porcari, Campion, Bazzano, John Joseph Raymond, (anglicized from Giovane Giusseppe Raimondo) and Palazzolo, the spelling of which, I was told and will remain forever in my mind, is: 2 of everything except the P. 


A citizen of relative long term heritage of18th century Scottish/German and early 20th century Irish descent I was always welcomed into their homes, and became familiar with their history and cultural traditions. 


My fondest memories include after school lunch of tempestine in brodo, dot pasta in homemade broth, served by my friend’s Grandmother, as her parents both worked, in their small immaculate suburban home filled with all their treasured and comforting religious icons.  


We have now spent over a year in various degrees of lockdown isolation in an effort to keep this pandemic virus at bay and in addition to the tragic illness and loss of lives, the most difficult part is not being able to see family and friends which is most evident in holiday periods. The impact, and toll this has taken, on our emotional state is immeasurable. 


As a young adult, back at University in the northeast, from several years in the deep south, my close friends were Jewish. I was invited to their homes at the Jersey Shore over long weekends, as a break from campus life, which brings to mind sensory memories of their wonderful food and once again, traditions. 


The final  words of the traditional passover Seder during this spring period,  are “next year in Jerusalem” a message of comfort, solidarity and hope for the future. A universal sentiment we can all benefit from in these difficult times, the hope that we will be together in the future, wherever we are.


 

Tuesday, March 30, 2021

Love Making He Called It

 

As he seduced 

A series 

Of unsuspecting lovers

Playing his part perfectly

Laying it on thick

The charm

The courting

The flattery

The romanticism

The enigma

He bedded each

In their turn

Finally

She realized

He knew

It is just an act